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	<title>Global Studies Review &#187; History</title>
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	<description>nascent theories,  innovative research, and constructive dialogue</description>
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		<title>Economic Planning in Socialism and Capitalism</title>
		<link>http://www.globality-gmu.net/archives/2180</link>
		<comments>http://www.globality-gmu.net/archives/2180#comments</comments>
		<pubDate>Tue, 01 Jun 2010 20:21:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Cold War]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Neoliberalism]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[US]]></category>
		<category><![CDATA[Global Studies Review Vol. 6 No. 2 Summer 2010]]></category>

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		<description><![CDATA[BY JOHANNA BOCKMAN In 1975, Soviet economist Leonid Kantorovich and American economist Tjalling Koopmans jointly won the Nobel Prize in Economics “for their contributions to the theory of optimum allocation of resources.”1 How could an economist of socialism and an economist of capitalism share this prestigious prize? Michael Bernstein, historian of the United States and Provost [...]]]></description>
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		<title>Found in Translation</title>
		<link>http://www.globality-gmu.net/archives/1404</link>
		<comments>http://www.globality-gmu.net/archives/1404#comments</comments>
		<pubDate>Mon, 06 Jul 2009 19:33:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Language & Culture]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Global Studies Review Vol. 5. No. 2 Summer 2009]]></category>

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		<description><![CDATA[BY RICK DAVIS In some sort of ideal world, language would not be a barrier to cultural understanding.  Literature, scholarship, sacred texts, jokes, journalism, nuance and even subtext would flow across actual and virtual borders.  Difference would be celebrated without being flattened out.  Access to rhythms of words (and life), patterns of thought, hopes, dreams, [...]]]></description>
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		<title>The Gulag’s Foundation In Kazakhstan</title>
		<link>http://www.globality-gmu.net/archives/575</link>
		<comments>http://www.globality-gmu.net/archives/575#comments</comments>
		<pubDate>Wed, 18 Jun 2008 18:37:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Development]]></category>
		<category><![CDATA[Geography]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Human Rights]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Nationalism]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[Global Studies Review Vol. 4 No. 2 Summer 2008]]></category>

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		<description><![CDATA[  BY STEVEN A. BARNES In early March 2006, I visited a graveyard in the empty Central Asian steppe near Spassk, just south of the city of Karaganda, Kazakhstan. This cemetery held the unmarked remains of prisoners of the former Soviet Union’s Gulag—the notorious system of forced labor concentration camps and internal exile—and the multi-national [...]]]></description>
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		<title>Property, Lawfare, and the Cyprus Impasse</title>
		<link>http://www.globality-gmu.net/archives/684</link>
		<comments>http://www.globality-gmu.net/archives/684#comments</comments>
		<pubDate>Thu, 20 Mar 2008 18:04:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ethnicity]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Geopolitics]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Peace and Conflict]]></category>
		<category><![CDATA[Global Studies Review Vol. 4 No. 1 Spring 2008]]></category>

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		<description><![CDATA[BY REBECCA BRYANT By the time this article appears, the presidential election campaigns now in full swing in Cyprus should have resulted in a new president for the Republic. It is quite likely, according to many polls, that the new president will also be the old one. Tassos Papadopoulos, president since 2003, presided over an eventful [...]]]></description>
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		<title>1920s Transatlantic Encounters: Latin American Artists in Paris</title>
		<link>http://www.globality-gmu.net/archives/955</link>
		<comments>http://www.globality-gmu.net/archives/955#comments</comments>
		<pubDate>Tue, 28 Nov 2006 16:37:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Americas]]></category>
		<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[Diaspora]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Global Studies Review Vol. 2 No. 3 Fall 2006]]></category>

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		<description><![CDATA[BY MICHELE GREET Traditionally, the field of Art History has focused predominantly on art produced in Europe. Over the past several decades, with the increased emphasis on globalism and multiculturalism, the field has expanded to include non-European regions. Consequently, Latin American art has begun to achieve long overdue recognition in both museums and academic institutions. [...]]]></description>
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		<title>September 11 Digital Archive</title>
		<link>http://www.globality-gmu.net/archives/1240</link>
		<comments>http://www.globality-gmu.net/archives/1240#comments</comments>
		<pubDate>Thu, 09 Jun 2005 19:07:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Terrorism]]></category>
		<category><![CDATA[Global Studies Bulletin Summer 2005]]></category>

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		<description><![CDATA[BY LINDSAY IRVINE History, though sometimes preserved in stones, is not static. History is a living organism that changes as we understand and incorporate traumatic events into our lives and our world. The human imagination has commemorated these events in numerous ways across countless generations, but most have been lost in the sands of time. [...]]]></description>
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